Brand Index
Our Catalogue
Typography A-Z. Each letter is a chapter.
Acier Studio
Acier Studio was founded in 2023 in Aarhus by a small family who couldn't find a stainless steel coffee table of the quality they were looking for — and decided to make their own. The name borrows the French word for steel, and the material is the studio's quiet obsession: shaped, refined and handled by hand in their local Aarhus workshop, designed to gather patina rather than wear out. A small studio built on the belief in fewer, better objects, and on doing things locally because it still matters.
Andersen Furniture
Born in a cabinet-maker's workshop in Aarhus in 1916, Andersen Furniture has spent more than a century shaping wood with patient hands. What began as I.C.A. Jensen's traditional joinery passed in 1978 to the Andersen brothers, Knud and Vagn, whose name the house still carries. Today the family-run brand works with architects and designers to craft solid wood furniture in the quietest Scandinavian register — pieces built slowly, made to outlive trends, and to be inherited rather than replaced.
Avolt
Avolt was founded in Stockholm in 2018 by Johan Runström and Viktor Lundberg, on the quiet conviction that the most overlooked objects in the home — power strips, extension cords, USB-C chargers — deserved the same care as the furniture they sit beside. Drawing on the simplest geometric forms and a curated palette of muted Scandinavian colours, the studio designs electrical accessories made to be on show rather than hidden away. Recognised with the Red Dot Design Award and the Swedish Design Prize.
AYTM
A Danish interior design brand founded in 2015 by husband-and-wife duo Per and Kathrine Gran Hartvigsen. Headquartered by the harbour of Aarhus, AYTM — pronounced "item" — reinterprets Scandinavian minimalism through bold, internationally inspired colours and sculptural forms. Every piece is developed in-house in close collaboration with external designers, resulting in pieces that balance simplicity with a decadent, expressive edge.
Fogia
Fogia is a Swedish design brand with roots in the Scandinavian design tradition. The company was founded in 1981 by Hans Rosander and Lars Fritzell, who originally developed an innovative method of joining Plexiglas to create striking furniture. Since then, Fogia has evolved into a recognised manufacturer of furniture where craftsmanship, material knowledge and timeless design go hand in hand. Today, Fogia collaborates with some of the Nordic region's most recognised designers, creating furniture that combines function, comfort and character. Production takes place in the company's own factory, where traditional craftsmanship techniques meet modern innovation to ensure high quality and longevity. With a focus on thoughtful design, honest materials and furniture that gets more beautiful with time, Fogia has established itself as a strong representative of modern Scandinavian design.
Frandsen
Frandsen was founded in 1968 in the basement of a Skanderborg home, where 27-year-old engineer Benny Frandsen drew his first lamp. That same year he designed the Ball — a coloured metal sphere mounted to the wall by a magnet — and it became one of the small icons of the 1970s Danish interior. The company moved out of the basement four years later, and across more than five decades has stayed faithful to Benny's design instinct: simple, graphic, joyful lighting designed to last. Today Frandsen pairs his original classics with collaborations from a new generation of Nordic designers.
Hannun
Hannun began in a parents' garden outside Barcelona, where founder Maurici Badía started building the kind of handmade, sustainably sourced wooden furniture he couldn't find anywhere else — and selling the first pieces through Instagram. The first order shipped in July 2017. Today the Catalan brand works with a network of small workshops across Europe, producing handcrafted furniture and homeware in FSC-certified wood, finished with water-based varnishes and free of animal materials. Hannun was the first Spanish furniture company to earn B Corp certification — design as a quiet act of conscience.
HOUE
HOUE was founded in 2007 by Lars Houe with a clear ambition: to bring serious Scandinavian design to the garden and the terrace at a price that didn't require an inheritance. The Danish house works almost exclusively with the country's own design talent, producing outdoor and indoor collections defined by clean lines, considered comfort, and a quiet attentiveness to material — including a pioneering line in furniture made from recycled household plastic, developed and produced in Denmark. Today HOUE is sold through more than a thousand retailers across forty-plus countries, but the philosophy hasn't moved: affordable luxury, designed for the long evenings outside.
House Doctor
House Doctor was founded in 2001 by three Danish siblings — Rikke Juhl Jensen, Gitte Juhl Capel and Klaus Juhl Pedersen — who started in their parents' garage with a shared belief that everyone deserves a beautiful, healthy home. The brand calls itself provocative, personal and informal, and lives by the principle of mixing rather than matching — Nordic restraint warmed by industrial edges, 1950s echoes, and a love for raw materials and bohemian touches. From a quiet base in Ikast, House Doctor now reaches living rooms across the world with furniture, lighting, ceramics and textiles designed to feel less like a perfect set and more like a home that's been lived in.
Hübsch
Hübsch was founded in 2010 by Flemming Hussak, Jannie Krüger and Daniel Henriksen — three Danes united by a shared affection for Scandinavian design and a wish to bring a little happiness into the home. The name itself, borrowed from German for pretty, hints at the brand's quietly playful spirit. From their base in Jutland, Hübsch designs furniture, lighting, textiles and accessories rooted in Nordic restraint but never afraid of warmth — natural oak, brass, terrazzo, soft curves and considered colour. Two collections a year, each one a small invitation to live a little more beautifully.
Jalg
JALG was founded in 2016 in Tallinn by Estonian friends and business partners Veiko Kallas and Argo Männiste — jalg, the Estonian word for leg, gives the brand its quiet name. The studio works in a single, focused category: the minimalist TV stand. Drawing equally on Scandinavian restraint, Japanese reduction, and Estonia's deep woodworking tradition, each stand is handcrafted in oak, birch, ash or smoked wood (with newer collections in steel and acrylic) and designed to turn the television from clutter into a quiet design object. Recognised with the Red Dot Design Award in 2024.
Julie Damhus
Julie Damhus founded her studio in 2017 on the rolling peninsula of Djursland in East Jutland, after graduating from the Kolding School of Design and apprenticing with the potter Lars H. Kähler. Her studio works in two registers: the ODA series — wheel-thrown stoneware shaped and glazed by hand in Denmark, no two pieces quite alike — and the more accessible TOTO series, designed in Denmark and produced in a small Polish workshop. Across both, the language is the same: minimalist silhouettes, matte glazes, a quietly considered palette where colour does the work.
Kalager Design
Kalager Design was founded in 2021 by Sarah and Rune Lundager in a small Lemvig forge on Denmark's west coast. The studio works almost exclusively in powder-coated steel wire — cut, bent and assembled by hand into chairs, tables, shelves and trays that let light and air pass through them. Graphic, almost drawn rather than built, the pieces come in a rainbow of colours and are rust-proof enough to live indoors or out. Every piece arrives with matching screws in the same colour — a small touch from the founders' own experience of furniture that almost worked.
KAS Kopenhagen
KAS Kopenhagen was founded in 2018 by Kasandra Bodo, who set out to design the children's furniture she wished existed for her own family — pieces with the same care, weight, and aesthetic intent as the rest of the home. Drawing on classical references (the conical leg of a Doric column appears more than once) and Nordic restraint, the collection is built in FSC-certified oak with non-toxic finishes, designed to grow with the child rather than be replaced. A cot becomes a junior bed; a changing top lifts away to reveal a dresser. Furniture made for small people, made to last.
Kristian Juul
Kristian Juul began in 2019 with a small problem brothers Mads Kristian Madsen and Magnus Juul Madsen couldn't solve: they wanted to give their television a place in the home that didn't fight the rest of the room. Finding nothing on the market they liked, they went to the drawing board, and after countless prototypes launched their first TV stand, KAYA, in June 2020. The Danish brand has since grown into a quiet specialist in the meeting between Scandinavian minimalism and modern electronics — TV stands, vinyl furniture and accessories made in FSC-certified wood, designed in the country's oldest town and shipped flat-packed to lower their footprint.
MOEBE
MOEBE was founded in 2014 in Copenhagen by cabinetmaker Anders Thams and architects Nicholas Oldroyd and Martin de Neergaard Christensen — three friends who had crossed paths between Copenhagen's Cabinetmakers' School and the Aarhus School of Architecture. From their workshop on the island of Amager, the studio works under a quiet credo: the world is complex enough already. The breakthrough was the Frame — two sheets of plexiglass, four pieces of wood, one elastic band — now a small modern classic. Every piece is designed to be repaired rather than replaced, with FSC- and PEFC-certified wood and an EU Ecolabel commitment to back it up.
Montana
Montana was founded in 1982 by Peter J. Lassen, a former naval officer turned furniture man who happened also to be the great-grandson of Fritz Hansen. After years at Fritz Hansen — where his more radical ideas were judged too progressive for the late 1970s — Lassen left, took with him an unassuming 60×60 shelving sketch, and built it into a quiet design revolution from a workshop in the Funen village of Haarby. The name Montana was chosen for its international ring, its three modular syllables, and its play on the Danish montere — to assemble. Forty years on, the family-run brand still produces every module in Haarby, in a palette of 42 considered colours, on the founding philosophy that storage should leave room for personality rather than impose its own.
MUUBS
Muubs was founded in 2010 by Bent and Dorthe Povlsen in the East Jutland town of Grenaa, with a quietly contrarian ambition: to design against perfection. Working in untreated wood, leather, stone, cement and rough metal, the brand makes furniture and homeware that wear their natural cracks and irregularities as features rather than flaws — Scandinavian design with a rougher, more masculine grain. The studio calls its philosophy beauty in imperfection, a Nordic kinship with the Japanese tradition of wabi-sabi. Part of Design Concept Denmark alongside Andersen Furniture.
Muuto
Muuto was founded in 2006 in Copenhagen by Kristian Byrge and Peter Bonnén — its name a contraction of the Finnish muutos, meaning a new perspective. The founders saw a Scandinavian design scene living a little too comfortably on its mid-century classics, and set out to write the next chapter. Working with a generation of rising Nordic designers — Anderssen & Voll, Cecilie Manz, Mika Tolvanen — Muuto has built a quietly definitive collection of furniture, lighting and accessories that helped give a name to New Nordic design.
Nobodinoz
Nobodinoz was founded in 2012 in Barcelona by Murielle and Roman Bressan, a French-Spanish couple and parents of three who set out to design for the children's room with the same care they gave their own. The name, pronounced Nobody Knows, hints at the brand's playful spirit. At a time when most brands were chasing the cheapest production abroad, the Bressans chose the opposite path: linen grown and spun in France, woven and finished in Barcelona, organic cotton certified to OEKO-TEX® Class 1, and a network of small workshops across France and Spain. Teepees, floor mattresses, cushions and toys made for slow childhoods.
Normann Copenhagen
Normann Copenhagen was founded in 1999 by Jan Andersen and Poul Madsen with a deceptively simple ambition: to make the ordinary extraordinary through great design. The breakthrough came with the Norm 69 pendant — 69 flame-resistant plastic pieces that the buyer slots together by hand — and the brand has since grown into an international house spanning furniture, lighting, ceramics and textiles. Danish in tradition, playful in execution, sold today in some eighty countries.
raawii
Raawii was founded in 2017 in Copenhagen by Bo Raahauge Rasmussen and Nicholai Wiig-Hansen — the brand's name a quiet contraction of their own. One an economist, the other a self-taught designer raised in the shadow of his artist father, the two share a curiosity that runs through everything they make: ceramics, glass, and lighting drawn in confident silhouettes and saturated colour, often borrowing from early 20th-century Cubism and Danish modernist painting. The Strøm jug, with its near-architectural restraint, has become a contemporary classic — an object that turns a shelf into a still life.
Relaxound
Relaxound began in a small Hamburg apartment in 2013, when Philipp Störring and Dennis Clasen set out to make sound a tangible part of everyday life. What started as an audio concept for medical practices quickly became a small cultural phenomenon: the Zwitscherbox — a discreet little box that releases birdsong as you pass it — has since sold over a million units and found its way into the MoMA. The collection has expanded to ocean waves, lakeside reeds, jungle calls and crackling fires, each one a small invitation to pause. Sound, made into design.
Ro Collection
Ro Collection was founded in 2013 by former senior figures from Georg Jensen, drawn together by a shared love of craftsmanship and a quiet rebellion against the disposable. The name itself — ro, the Danish word for calm — sets the tone. The collection is built from natural materials (mouth-blown glass, hand-cast stoneware, oak, leather) by small workshops across Europe, where every vase, plate and chair carries the small irregularities of a human hand. Pieces are designed to outlast a season, a decade, perhaps a generation — slow design in its truest sense.
SACKit
SACKit was founded in 2012 in Aalborg — the same northern Danish city where Jørn Utzon grew up — when Kristoffer Glerup set out to reimagine that most casual of furniture forms, the beanbag, in the language of Scandinavian design. The breakthrough was the RETROit lounge chair, with its two-chamber construction and hand-sewn cross-stitch seam that has since become the brand's quiet signature. From there, SACKit has expanded with the same disciplined hand into outdoor lighting, weatherproof Bluetooth speakers, headphones and serving trays — a small, considered universe of objects for casual living, where comfort never apologises for quality, and where electronics are designed to look as good as they sound.
Serax
Serax was founded in 1986 by Belgian brothers Serge and Axel Van Den Bossche — their names fused into one — when they took over their mother's small flowerpot business and gave it a new direction. Four decades on, the family-run house has become a design platform rather than a single voice, collaborating with designers from Ann Demeulemeester to Ottolenghi to Vincent Van Duysen on tableware, lighting and ceramics that now grace Michelin tables across the world.
STOFF Nagel
A piece of design history, returned to the table. STOFF Nagel revives the iconic 1960s candle holder originally drawn by Werner Stoff and Hans Nagel — born, the story goes, when Nagel fell backwards in alpine snow and his three fingers cut perfect holes for slim tapers. After decades out of production, the Danish house relaunched the modular brass classic in 2015 using Werner Stoff's original drawings, and has since expanded the collection with vases, bowls, stands and finishes from solid brass to black chrome. Stackable, sculptural, and quietly defiant of trend.
Studio About
Studio About was founded in 2018 by photographer Soffy Dombernowsky and architect Mikkel Lang Mikkelsen — partners in life as well as in design. From their Aarhus home-studio the duo creates a small, experimental universe of objects rooted in the meeting between architecture and image: mouth-blown borosilicate glass vases on transparent cylindrical bases, sculptural FLOAT poufs, paper flowers, and the bendable Flex Tube LED light that lets you draw your own line on the wall. Simple, honest, joyfully colourful.
Tom Dixon
Tom Dixon was founded in London in 2002 by the self-taught British designer of the same name — a former bass player and welder who fell into design via the back door of a junkyard. Working with salvaged metal in a south London studio in the 1980s, his welded chairs caught the eye of Italian giant Cappellini, and the S Chair (now in the MoMA collection) made his name. After a decade rejuvenating Habitat under Terence Conran, Dixon launched his own brand to follow his instincts wherever they led. The result, two decades on, is a global house of furniture, lighting and objects — known for an unmistakable material confidence in copper, brass, marble and stone — operating from a former coal yard in King's Cross.
Transparent
Transparent was founded in Stockholm in 2014 by Per Brickstad, Magnus Wiberg and Martin Willers — three designers and entrepreneurs who set out to question what audio could look like in the home. The brand's signature speaker, encased in tempered glass and a single aluminium frame, makes its own components part of the aesthetic: nothing hidden, nothing disguised. The mission is quietly radical — to be the first truly circular audio brand, with modular electronics designed to be repaired and upgraded rather than replaced. Sound that ages with grace, in a form designed to outlast trend.
WB Manufaktur
WB Manufaktur — formerly Tablelab — was founded in 2017 in Hornslet, just north of Aarhus, with a quietly specialist ambition: to make the dining table the centerpiece it deserves to be. Built around modular tabletops in linoleum, valchromat and oak, paired with powder-coated steel or wooden legs, the collection is designed to be adjusted to the room rather than the other way around. Everything is produced in Denmark — honest materials, considered proportions, made for the table that will outlast the chairs around it.
We Are Bitte
We Are Bitte was founded in 2019 by Katrine Jagd, a working mother of three who came to understand how much calm matters — for parents and for the smallest among us. The Danish brand designs furniture and textiles for the children's room with a quiet, considered hand: solid oak, organic cotton, non-toxic finishes, and a palette borrowed from nature. Pieces are made to grow with the child and to be passed on rather than replaced — beautiful, honest, and built for the long, slow work of raising someone.
WeDoWood
We Do Wood was founded in Copenhagen in 2011 on a single, stubborn conviction: that new Danish design and strict sustainability should never be at odds. The studio's signature material is moso bamboo — the only woody plant that grows fast enough to keep pace with human consumption — sourced from certified plantations grown without chemicals or pesticides. Pieces are finished without paint where possible, joined with formaldehyde-free glue, and built to last in the long Scandinavian tradition. Quiet, considered furniture for those who measure quality by what they don't add.
Wigiwama
Wigiwama began in 2016 on a Latvian living-room floor, where co-founder Anastasia cut the fabric for a homemade teepee for her daughter's first birthday and asked a neighbourhood seamstress to sew it together. What started as a single gift has grown into an award-winning Baltic brand for the children's room — beanbags, play sofas, cushions and ottomans made by hand in Wigiwama's own Latvian workshop in OEKO-TEX® and GRS-certified fabrics. The style is Scandinavian minimalism with a softer Baltic accent: muted colours, gentle silhouettes, and the kind of authentic imperfection that invites a child's imagination to take over.
We haven't found anything magical
